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"Soprano Diana
Tash skillfully negotiated the combination of angular melody and
Sprechstimme" -The New York Times
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(Long Beach Opera -L'Abandon d'Ariane)...
"a radiant Ariane..."
-LA Times, Mark Swed
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| "The role of Barbarina in the L. A. Opera production of Le Nozze di Figaro was in the appreciative hands and larynx of Diana Tash"
-L.A. Times |
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